The sequel to surprise hit M3GAN, M3GAN 2.0 dives headfirst into deranged action-comedy mayhem — and is a wildly enjoyable, if uneven ride.
M3gan 2.0 Is Everything You Want — And More

Exploring the Outer Edge of Film
The sequel to surprise hit M3GAN, M3GAN 2.0 dives headfirst into deranged action-comedy mayhem — and is a wildly enjoyable, if uneven ride.
Despite its beautiful scenery and excellent performances, coastal drama The Salt Path can’t walk its way into a compelling storyline.
A lesbian relationship is put to the ultimate test in Josalynn Smith’s debut feature, the tenderhearted and politically resonant road movie Ride or Die.
A great canine acting talent is wasted in The Friend, a tale of Naomi Watts adopting a Great Dane that is heavy on the schmaltz, but lacking in punch.
The way institutions discriminate against queer parents is expertly depicted in Love Me Tender, with a standout performance from Vicky Krieps.
Despite the powerful idea at its core, the fundamental premise of Dandelion’s Odyssey makes it extremely hard to identify with its characters.
The Phoenician Scheme is a spy caper that feels like a glorified cameo-fest, and is the first Wes Anderson film that feels completely inessential.
A messy weekend following a life-changing diagnosis characterises Pauline Loquès’ Nino, a touching drama about trying to pull yourself together.
Valery Carnoy’s boxing drama Wild Foxes boasts a standout performance from Samuel Kircher as a teenage boy navigating the mindfields of masculinity.
Un Certain Regard entry Once Upon a Time in Gaza is a topical film, yet unfortunately, it doesn’t feel like its helping anything.