Kamal Aljafari’s urgent With Hasan in Gaza might be shot in the autumn of 2001, but its images speak firmly to the present onslaught by the Israeli regime.
With Hasan in Gaza. Palestinian (Non-)Existence

Exploring the Outer Edge of Film
Kamal Aljafari’s urgent With Hasan in Gaza might be shot in the autumn of 2001, but its images speak firmly to the present onslaught by the Israeli regime.
Éric K. Boulianne’s debut comedy drama Follies explores the joys — and pitfalls — of opening up a marriage, to often hilarious results.
A fresh restoration of Roberto Rossellini’s hagiography of a centrist Italian prime minister proves an unlikely forebearer for Cristi Puiu’s iconic Malmkrog.
Space Dogs directors Elsa Kremser and Levin Peter’s first fully fiction feature is a dark and disturbing love story set in Belarus.
Films by Gena Rowlands and John Garfield at Karlovy Vary International Film Festival show us the deep emotional power of the method acting approach.
Don’t Call Me Mama is Scandinavia’s answer to Babygirl that unfortunately gives off a truly icky Blame It On Rio vibe.
Despite its preponderance of gorgeous images, The Visitor provides an emotionally-detached experience that can’t match the magic of its visuals.
Mark Jenkin’s loopy tour of the Celtic regions of the world (and Los Angeles) is British cinema and its most pure and eccentric. Essential viewing.
Ondřej Provazník’s sophomore film is a slow-burn look at abuse featuring a brilliant performance from Juraj Loj as a manipulative choirmaster.
Two balding men travel to Instanbul for a transplant in Manoël Dupont’s uneven yet fascinating hybrid film Before/After.