Milcho Manchevski’s crime comedy Sister Brother Manhole Cover starts as an amusing romp through Skopje’s mean streets but loses steam halfway through.
Sister Brother Manhole Cover Is a Bust
Exploring the Outer Edge of Film
Milcho Manchevski’s crime comedy Sister Brother Manhole Cover starts as an amusing romp through Skopje’s mean streets but loses steam halfway through.
Paula González-Nasser talks the influence of Akerman and Antonioni on The Scout, her debut about a location scout who is like a side-character in her own life.
Like every other film in its genre, No Paradise If You Are Killed by a Woman can’t help but make being a sniper look awesome; the drama is sadly not up to par.
Bringing together footage from 40 different people, Super Nature is a testament to the magic of Super 8 to capture the wonder and ephemerality of nature.
Talky drama One Minute to Midnight is certainly pleasant, but its not gripping enough to justify inclusion in the Venice Competition.
Shot in classic naturalist social realist style, What Belongs to Others is a portrait of a thief with an elusive, convincing performance by Monika Kwiatkowska.
Sabu’s Arrested Memory is a weird blend of crime comedy, emotional journey and martial arts movie. None of it really coheres.
Francesca Archibugi’s Carla Lonzi, a Feminist Story is a touching remembrance of one of Italy’s most trailblazing feminists.
Un détour par Diane by Ann Sirot and Raphaël Balboni expertly blurs the boundaries between one woman’s lived experience and another’s emotional life.
Denis Ménochet lends tremendous gravitas to a Macron-esque president trying to avert nuclear war in Alexandre Smia’s Jupiter, playing in Out Of Competition.