The well-meaning Yugo-Danish drama Home offers a nuanced portrait of migration and integration, but never really takes off dramatically.
Home Can’t Find Where the Art Is
Exploring the Outer Edge of Film
The well-meaning Yugo-Danish drama Home offers a nuanced portrait of migration and integration, but never really takes off dramatically.
A broken fridge-freezer becomes a metaphor for the breakdown of a family — and perhaps society itself — in uneven comedy Complaint No. 713317.
Conrad & Crab – Idiotic Gems by Claude Schmitz is a cosy French mystery movie that scratched an itch I didn’t even know I had. Sequels please!
A clown’s life is turned upside down when her husband and two kids die in the emotionally resonant Four Minus Three, playing in Panorama.
The absurdities of the privileged in the face of incoming disaster is smartly dissected in João Nuno Pinto’s Tallinn entry 18 Holes to Paradise.
Craig Brewer’s Song Song Blue is a surprisingly powerful musical biopic that rests upon the remarkable easygoing charm of Kate Hudson.
At a time when “groomer” is used as a political smear, The Pupil shows us the truly sickening impact the reality can have on young boys and girls.
Made during Spain’s transition to democracy, La criatura is a fascinating time capsule that uses bestiality to represent the possibility of change.
From Radu Jude’s take on AI slop to Benning’s pointedly political piece, Currents at NYFF has its experimental finger on today’s disintegrating world.
Scott Derrickson’s marginally better sequel Black Phone 2, the spirit of Dante’s Inferno is chanelled to frosty — in both senses of the word — results.