Sabu’s Arrested Memory is a weird blend of crime comedy, emotional journey and martial arts movie. None of it really coheres.
Arrested Memory. Frontal Underload.
Exploring the Outer Edge of Film
Sabu’s Arrested Memory is a weird blend of crime comedy, emotional journey and martial arts movie. None of it really coheres.
Francesca Archibugi’s Carla Lonzi, a Feminist Story is a touching remembrance of one of Italy’s most trailblazing feminists.
Un détour par Diane by Ann Sirot and Raphaël Balboni expertly blurs the boundaries between one woman’s lived experience and another’s emotional life.
Denis Ménochet lends tremendous gravitas to a Macron-esque president trying to avert nuclear war in Alexandre Smia’s Jupiter, playing in Out Of Competition.
A modest yet touching documentary, Emil Langballe’s Petrolheads examines addiction, mental illness and the redemptive power of friendship and cars.
One Night Only imagines a world where sex is only permissible once a year, splitting the difference between fun comedy and puritanical views on intercourse.
Coming-of-age movies in recent years are usually snoozy; Giovanni Tortorici’s whipsmart funny Ketticè is the wonderful exceptional to that rule.
Controversial at Cannes, the Karlovy Premiere of The Unknown (L’Inconnue) reveals a mysterious and beguiling experience, starring Léa Seydoux.
Small yet powerful, Five Years, Four Months takes an almost structuralist approach to grief, showing one mother’s unending journey to find her missing son.
Miroslav Terzić’s follow up to Stitches (2019) is a devastating exploration of the infinity cruelty of children that makes Adolescence look like Bluey.