Told with his usual neon-heavy aesthetic, Nicolas Winding Refn’s Her Private Hell is a beguiling tale of absent parenthood, playing Out of Competition.
Her Private Hell? Absent Parents.
Exploring the Outer Edge of Film
Told with his usual neon-heavy aesthetic, Nicolas Winding Refn’s Her Private Hell is a beguiling tale of absent parenthood, playing Out of Competition.
Angela Schnalec’s DOP travels to Cambodia for an intellectually rigorous, if slightly tedious docufiction about the rich-poor divide.
A simple plan goes fiendishly out of hand in Dying Twice, Living Thrice, Karim Lakzadeh’s existential critique of modern day Iran.
With films about dogs easy to love — because after all, who doesn’t love dogs — it takes a special talent to make something as cynical and ugly as La Perra.
Valentina Maurel’s sophomore feature, Forever Your Maternal Animal, is a touching tale of familial bonds, mental illness and feminine sexuality.
Flesh and Fuel rises above its euro-drama trappings by capturing a great sense of sweetness and vulnerability among the continent’s gay trucking community.
Anchored by an excellent performance by Eva Huault, Shana is a deeply entertaining Parisian-set tale of Jewish identity and feminine chaos.
A romantic trip to the Welsh goes horribly wrong when emails from a deceased ex-boyfriend threaten to derail everything in Worm, Ned Caderni’s assured debut.
In our first edition of Double Take, Redmond and Jared discuss Antoine Fuqua’s misguided and insidious Michael Jackson biopic.
Capturing the Gulf States as they suffer from temperatures rising over 50 degrees, Jacqueline Zünd’s Heat is a bleak and bold artistic vision.