Vivian Qu’s gritty crime story Girls on Wire is a grim tale about the inevitability of fate that is weighed down by clichéd and stilted storytelling.
Flying on A Wire is Not Real Flying

Exploring the Outer Edge of Film
Vivian Qu’s gritty crime story Girls on Wire is a grim tale about the inevitability of fate that is weighed down by clichéd and stilted storytelling.
The A24 formula works to fine effect in Mary Bronstein’s If I Had Legs I’d Kick You, starring the excellent Rose Byrne.
Dark horse black comedy What Marielle Knows is the funniest film in the Berlinale Competition so far. A Hollywood remake can’t be far away.
Familial bonds between migrant workers are put to the test in Liryc Dela Cruz’ compelling debut Where The Night Stands Still.
Florian Pochlatko’s How to Be Normal and the Oddness of the Other World is a long and ungainly look at mental illness that never finds a way to work.
Lucile Hadžihalilović’s The Ice Tower is a forbidding and slow riff on Hans Christian Andersen with a movie star performance from Marion Cotillard.
Mala Emde shines as a chaotic music promoter who puts on Keith Jarrett’s iconic concert at the Cologne Philarmonic in Ido Fluk’s Köln 75.
Before You Fade Away Into Nothing is a truly rare thing: an all-American slow cinema film, tackling grief in a unique and fascinating way.
Bong Joon-Ho’s Mickey 17 is a loud and brash cartoonish science-fiction that has very little to say underneath its deafening bluster.
A 30-year-old woman’s jaunt to Paris yields all sorts of beautiful insights on the nuances of life in Valentine Cadic’s That Summer in Paris.