Ralitza Petrova’s lust is a tale of sex addiction and childhood trauma that, despite its grimness from scene to scene, exerts a curiously optimistic pull.
Lust Confidently Finds Its Way Through the Darkness
Exploring the Outer Edge of Film
Ralitza Petrova’s lust is a tale of sex addiction and childhood trauma that, despite its grimness from scene to scene, exerts a curiously optimistic pull.
Nicolás Pereda’s minimalist chamberpiece Everything Else is Noise is at once a slyly pleasurable arthouse experience and a finely-attuned family comedy-drama.
The natural ebbs and flows of a friendship floating apart are captured in deeply realistic realistic fashion in Sophie Somerville’s delightful debut.
Sirens Call, Miri Ian Gossing and Lina Sieckmann’s impassioned look at modern-day merfolk, reinvents ancient myths for an increasinly fascist age.
A rigorous and brutal documentation of Russian brutality in Ukraine, Intercepted’s absences stir the worst recesses of the human imagination.
Roman Bondarchuk takes us to a pre-invasion Southern Ukraine in his Forum satire The Editorial Office, filled with weighty topics while lacking cinematic bite.
A handful of forum films, including new works by James Benning and Claire Simon, probe the ways history, ever contested, is inscribed onto the future.
The horrors of Iranian prison are horrifyingly revisited in this powerful, draining documentary film, asking if cinema has the power to change the state.