Borrowing Reygadas’ DOP, Ana Cristina Barragán’s taboo-breaking film The Ivy doesn’t satisfy, even if it keeps us curious.
An Eerie Maternal Bond, Under a Volcano’s Shadow

Exploring the Outer Edge of Film
Borrowing Reygadas’ DOP, Ana Cristina Barragán’s taboo-breaking film The Ivy doesn’t satisfy, even if it keeps us curious.
David Pablos’ riveting Mexican film En El Camino, winner of the Queer Lion, presents a fresh take on the queer road trip movie.
La Cocina uses its kitchen-setting as a springboard for a grand Statement on America. But it ruins the main dish by adding too many flavours.
Mexican LGBTQI+ coming-of-age drama All The Fires is well-meaning and well-acted, yet fails to leave much of a lasting impression — live from Locarno.
A family celebration provides the setting for a haunting coming-of-age tale, courtesy of auteur to watch, Lila Avilés. Golden Bear winner?
Through documentary-like framing and a cool distance from his characters, Zonana riffs on military classics to create a brutal yet intellectual critique of military culture.