The Wedding Banquet is a broad remake of Ang Lee’s 1993 work that drains the rich cultural specificity of the subject matter into boring slop.
The Wedding Banquet. Boring Gay Asians.

Exploring the Outer Edge of Film
The Wedding Banquet is a broad remake of Ang Lee’s 1993 work that drains the rich cultural specificity of the subject matter into boring slop.
The highs and lows of die-hard football fan culture is lovingly surveyed in Ragnhild Ekner’s excellent documentary Ultras.
A witty, low-key riff on the intersection between love and espionage, Black Bag is one of the best spy films to come out in recent years.
Try as it may, Drop is hampered by its central conceit, with its surprise smartphone messages more of a pain than a genuine source of tension.
What Does that Nature Say to You, the latest film from Hong Sangsoo, is another poetic slice of life gem about what constitutes a good life.
A trip to a trauma retreat turns increasingly nightmarish in Madeleine Sims-Fewer and Dusty Mancinelli’s Honey Bunch, playing in Berlinale Special.
Lucile Hadžihalilović’s The Ice Tower is a forbidding and slow riff on Hans Christian Andersen with a movie star performance from Marion Cotillard.
Bong Joon-Ho’s Mickey 17 is a loud and brash cartoonish science-fiction that has very little to say underneath its deafening bluster.
Universal Remake their classic horror movie The Wolf Man to diminishing returns in Leigh Whannell’s weak follow-up to The Invisible Man.
The 1986 Richard Gere star vehicle No Mercy shows that all a movie needs is a girl and a gun. And lots of fog machines.