Not everything in Mosquitoes lands, but its big, and bold swings show off the ambition of Nicole and Valentina Bertani’s off-kilter coming-of-age vision.
Mosquitoes Is Big, Bold and More Than a Little Messy

Exploring the Outer Edge of Film
Not everything in Mosquitoes lands, but its big, and bold swings show off the ambition of Nicole and Valentina Bertani’s off-kilter coming-of-age vision.
Dry Leaf, Alexandre Koberidze’s much anticipated follow up to What Do We See When We Look At The Sky?, is another meandering exploration of family and football.
Ion De Sosa’s dreamy follow-up to horror hit Mamántula is a disappointment, despite all those lovely 16mm images.
Despite its preponderance of gorgeous images, The Visitor provides an emotionally-detached experience that can’t match the magic of its visuals.
Jurassic World Rebirth is a welcome return to form for a franchise that had severely lost its way, even if the final screenplay is somewhat wanting.
The sequel to surprise hit M3GAN, M3GAN 2.0 dives headfirst into deranged action-comedy mayhem — and is a wildly enjoyable, if uneven ride.
Despite its beautiful scenery and excellent performances, coastal drama The Salt Path can’t walk its way into a compelling storyline.
The way institutions discriminate against queer parents is expertly depicted in Love Me Tender, with a standout performance from Vicky Krieps.
The Wedding Banquet is a broad remake of Ang Lee’s 1993 work that drains the rich cultural specificity of the subject matter into boring slop.
The highs and lows of die-hard football fan culture is lovingly surveyed in Ragnhild Ekner’s excellent documentary Ultras.