Lucile Hadžihalilović’s The Ice Tower is a forbidding and slow riff on Hans Christian Andersen with a movie star performance from Marion Cotillard.
Snowgirls

Exploring the Outer Edge of Film
Lucile Hadžihalilović’s The Ice Tower is a forbidding and slow riff on Hans Christian Andersen with a movie star performance from Marion Cotillard.
Bong Joon-Ho’s Mickey 17 is a loud and brash cartoonish science-fiction that has very little to say underneath its deafening bluster.
Universal Remake their classic horror movie The Wolf Man to diminishing returns in Leigh Whannell’s weak follow-up to The Invisible Man.
The 1986 Richard Gere star vehicle No Mercy shows that all a movie needs is a girl and a gun. And lots of fog machines.
With a documentary-like aesthetic and profound use of the mundane, Heather Young’s sophomore film There, There reasserts her singular voice.
Marie-Magdalena Kochová’s debut feature acutely captures the Glass Children phenomenon: being overshadowed by your sibling with more complex needs.
An EU-funded cousin of Megalopolis, The Opera! is a baffling and bad film that astounds with its incredibly basic classical music choices.
Pavements is a biopic, musical and exhibition, with Alex Ross Perry applying the idiosyncratic spirit of the 90s band to novel forms of cinematic expression.
A fat straight man finds a new lease of life when he sends his self-portrait into a gay magazine in Devin Shears’ touching debut Cherub.
Sarah Friedland’s potent debut takes time and care to depict the ins and outs of living with dementia, to powerful results. Live from Venice Film Festival.