Indian movie Stolen levels up scene after scene, moving from a tense, whodunnit to a full-blown, white-knuckle thriller — live from Venice Film Festival.
Stolen Just Keeps Getting Better

Exploring the Outer Edge of Film
Indian movie Stolen levels up scene after scene, moving from a tense, whodunnit to a full-blown, white-knuckle thriller — live from Venice Film Festival.
A stoner comedy without the comedy; an arthouse drama without the art; a deep dive into social ills without going too deep; Critical Zone is inessential.
Love fights the forces of economics and corruption in the underwhelming Iranian drama Empty Nets — live from Karlovy Vary Film Festival.
The (Ex)perience of Love, playing in Critics’ Week, is a silly movie. But its fantasy premise is treated with smarts and sensitivity, making for a fun watch.
Paul Schrader finds a more tender angle on his tried-and-tested formula in the touching Master Gardener, completing his most recent trilogy.
The Berlinale 2023 opens with a trip aboard the tugboat of love. There is no need to get on. Here’s our take on Rebecca Miller’s She Came To Me.