Ion De Sosa’s dreamy follow-up to horror hit Mamántula is a disappointment, despite all those lovely 16mm images.
Balearic Can’t Find The Beat

Exploring the Outer Edge of Film
Ion De Sosa’s dreamy follow-up to horror hit Mamántula is a disappointment, despite all those lovely 16mm images.
Eva Libertad explains being inspired by her deaf sister and bridging hearing and non-hearing worlds for her powerful Panorama breakout Deaf.
The Generation section of Berlinale is one of the less interesting programmes at the esteemed film festival. Still, we look at its offerings anyway.
By letting trans women speak for themselves, the 1983 classic Dressed In Blue is an essential queer text, playing now in Berlinale Classics.
The travails of being deaf in a hearing world are viscerally explored in Eva Libertad’s powerful new work — live from Panorama!
The Party’s Over casts prejudice as farce in this sharply-written tale of a wealthy Spanish lady reacting to a Senegalese immigrant in her midst. From TIFF.
There is beauty and meaning littered throughout the repetitive actions of Jonás Trueba’s endlessly playful Directors’ Fortnight romcom The Other Way Around.
A free-wheeling, three-part riot of formal invention, Víctor Iriarte’s excellent debut is at once aesthetically rigorous and politically pointed.