Tales of trauma, pain, memory and vanishing animate an instructive and illuminating Tallinn Black Nights, a ray of light amid bleak November.
Bruising and Vanishing
Exploring the Outer Edge of Film
Tales of trauma, pain, memory and vanishing animate an instructive and illuminating Tallinn Black Nights, a ray of light amid bleak November.
The absurdities of the privileged in the face of incoming disaster is smartly dissected in João Nuno Pinto’s Tallinn entry 18 Holes to Paradise.
A sleek German answer to Philip Noyce’s Sliver, Interior uses a sexual taboo to interrogate a world where all we do is watch — and rarely intervene.
Pink clothes become a metaphor for difference in Margherita Ferri’s nuanced The Boy with Pink Pants, based on a devastating true story.
Some Nights I Feel Like Walking doesn’t buy into the glittery tropes of recent queer cinema — instead diving into the harsh realities of gay life.