David Pablos’ riveting Mexican film En El Camino, winner of the Queer Lion, presents a fresh take on the queer road trip movie.
En el camino Updates the Queer Road Trip Playbook

Exploring the Outer Edge of Film
David Pablos’ riveting Mexican film En El Camino, winner of the Queer Lion, presents a fresh take on the queer road trip movie.
Stephan Komanderev uses the coronavirus pandemic to explore the horrors of labour exploitation in one of Europe’s poorest regions.
Evi Kalogiropoulou’s deeply disappointing Gorgonà leans so heavily into fascist aesthetics it starts to resemble the very thing it criticises.
A father makes a devastating mistake in Tereza Nvotová’s Otec, bleak and hellish depiction of every parent’s worst nightmare.
Alex Ross Perry and Robert Greene discuss capturing the spirit of the 90s’ most ironic indie band by splicing together musical, biopic and exhibition.
Sarah Friedland’s potent debut takes time and care to depict the ins and outs of living with dementia, to powerful results. Live from Venice Film Festival.
Cloud, the latest from Kiyoshi Kurosawa, shows how fears about the internet have drastically evolved since Pulse (2001). Live from Venice.
With hints of Zodiac and Seven, Fabrice du Welz’s new thriller Maldoror — charting the real-life murders of Belgian serial killer Marc Dutroux — aims for that nasty, slow burn.
Fascist bonehead study Familia refreshingly avoids clichéd redemption arcs in favour of a more nuanced take on the cyclical nature of toxic masculinity.
The dehumanisation of seeking asylum is piercingly explored in Alexandros Avranas’ horror-but-not-horror Quiet Life. Live from Venice Film Festival!