Jafar Panahi’s Un Simple Accident Palme characterises a Cannes line-up that will be better known for its political potential than its aesthetic content.
What Remains from Cannes 2025?

Exploring the Outer Edge of Film
Jafar Panahi’s Un Simple Accident Palme characterises a Cannes line-up that will be better known for its political potential than its aesthetic content.
The Phoenician Scheme is a spy caper that feels like a glorified cameo-fest, and is the first Wes Anderson film that feels completely inessential.