With echoes of Wake in Fright and Carrie, Julia Kowalski’s Her Will Be Done is a provocative, satisfying body horror that lingers long in the memory.
Her Will Be Done is Feverish, Ugly and Hard to Shake

Exploring the Outer Edge of Film
Editor-at-large Jared loves movies and lives with Kiki in Berlin.
With echoes of Wake in Fright and Carrie, Julia Kowalski’s Her Will Be Done is a provocative, satisfying body horror that lingers long in the memory.
French dramedy Drifting Laurent is a slow and seemingly aimless film that provides oodles of charm in its depiction of an mid-season alpine resort.
Mala Emde shines as a chaotic music promoter who puts on Keith Jarrett’s iconic concert at the Cologne Philarmonic in Ido Fluk’s Köln 75.
The natural ebbs and flows of a friendship floating apart are captured in deeply realistic realistic fashion in Sophie Somerville’s delightful debut.
The travails of being deaf in a hearing world are viscerally explored in Eva Libertad’s powerful new work — live from Panorama!
Night Stage by Marcio Reolon, Filipe Matzembacher is a fun De Palma homage from Brazil that reinvents the queer erotic thriller.
Sirens Call, Miri Ian Gossing and Lina Sieckmann’s impassioned look at modern-day merfolk, reinvents ancient myths for an increasinly fascist age.
The burdens of working as a full-time caregiver are depicted in microscopic detail in Frelle Perersen’s assured Home Sweet Home.
Pink clothes become a metaphor for difference in Margherita Ferri’s nuanced The Boy with Pink Pants, based on a devastating true story.
Some Nights I Feel Like Walking doesn’t buy into the glittery tropes of recent queer cinema — instead diving into the harsh realities of gay life.