References to Alfred Hitchock and Edward Yang does the paper-thin queer Taiwanese love story Blind Love no favours.
Blind Love. Tunnel Vision.
Nick Kouhi
Nick Kouhi is a programmer and critic based in Minneapolis, Minnesota
Strandzha. Between the Borderlines.
The woods straddling Bulgaria and Turkey are imbued with multivalent meanings in Pepe Hristova’s Strandzha, playing in Harbour at IFFR.
The Best Film Scenes of 2024
From Baby Annette dancing to Modern Love to the climax of By The Stream to Ellen’s introduction in Sterben, we recap the best scenes of the year.
Radical Images: The New York Counter Film Festival
New York Counter Film Festival, created in opposition to NYFF’s Zionist ties, enjoyed its inaguaral, radical edition. We report from the frontline.
Mall of Us Strangers
In All, Or Nothing At All, presented in two unique, each-way versions, Jiajun Zhang captures the modern malaise of contemporary Chinese capitalism.
Malu. The Bout of the Brazilian Bohèmes.
With shades of Cassavetes, Pedro Freire’s Brazilian debut Malu is a spirited and claustrophobic homage to the influence of his chaotic mother.
Otro Sol. Only Crime Will Tell.
Francisco Rodriguez Teare’s hybrid debut Otro Sol is a creative and crafty investigation of criminal and colonial legacies — in Chile and beyond.
The Ballad of Suzanne Cesaire Rejects Conventionality in Favour of Archival Speculation
Madelaine Hunt-Ehrlich’s The Ballad of Suzanne Cesaire mounts a corrective to the surrealist’s occluded legacy through a personal essayistic structure.
The Light Provides a Fleet Danish History Lesson about the Lingering Complications of Nazi Occupation
Alexander Lind’s The Light investigates an incendiary art project that used bunkers as a metaphor for Danish collaboration during the Nazi occupation, live from Rotterdam.
Small Hours of the Night Gives Testimony to Disembodied Dissidence
Daniel Hui’s chamber piece makes the most of its limited location to provide fascinating ruminations on the reverberations of Singaporean history.