Exploring the Outer Edge of Film
Alexander Lind’s The Light investigates an incendiary art project that used bunkers as a metaphor for Danish collaboration during the Nazi occupation, live from Rotterdam.
Daniel Hui’s chamber piece makes the most of its limited location to provide fascinating ruminations on the reverberations of Singaporean history.
The concluding chapter of Georg Tiller’s Gotland trilogy, Godsterminal struggles to escape from the legacy of Ingmar Bergman’s seminal works.
Brazilian documentarian Julia De Simone’s first fiction feature imbues the past with the urgency of the present, breaking free of historical restraints.
Avoiding consensus for our top 2023 picks, Journey Into Cinema focuses on both the best festival films and the finest hidden gems.
A triple header of new short and mid-length work by Godard, Wang and Costa offers ruminations on national identity and holding onto the traumas of the past.
Miko Revereza brings his trademark diaristic style of digital filmmaking to a polyphonous exploration of family and history in Nowhere Near — playing at NYFF.
The Night Visitors sees avant-garde filmmaker Michael Gitlin use moths as a metaphor for knowledge, asking the viewer to regard the world anew.
A handful of forum films, including new works by James Benning and Claire Simon, probe the ways history, ever contested, is inscribed onto the future.