The practicalities and pitfalls of vampire life are warmly investigated in the mostly enjoyable Humanist Vampire Seeking Consenting Suicidal Person.
Humanist Vampire Seeking Consenting Suicidal Person Lives Up To Its Goofy Title

Exploring the Outer Edge of Film
Redmond is the editor-in-chief of Journey Into Cinema.
The practicalities and pitfalls of vampire life are warmly investigated in the mostly enjoyable Humanist Vampire Seeking Consenting Suicidal Person.
A free-wheeling, three-part riot of formal invention, Víctor Iriarte’s excellent debut is at once aesthetically rigorous and politically pointed.
Sidonie In Japan is a classic example of a fine actress phoning it in, wasting Huppert’s talents in a generic, unconvincing cross-cultural examination of grief.
Life Is Not a Competition, But I’m Winning imagines the future of queer and intersex people in sport in a variety of spirited and thoughtful means.
Indian movie Stolen levels up scene after scene, moving from a tense, whodunnit to a full-blown, white-knuckle thriller — live from Venice Film Festival.
A not-quite musical filled with loveliness and laughs, Chuck Chuck Baby is the operatic soap opera I never knew I needed — live from Edinburgh Film Festival.
A stoner comedy without the comedy; an arthouse drama without the art; a deep dive into social ills without going too deep; Critical Zone is inessential.
Work and sex inevitably tangle in First Case, a classically French throwback to the golden era of sexy 90s legal thrillers — live from Locarno Film Festival.
The spirit of Godard, Greenaway and Gregg Araki combine in this Andulasian road trip filled with spontaneity, creativity and a sense of open discovery.
Dull visuals and an unengaging plot make Ukrainian village tale Stepne, playing in competition, an enervating watch — live from Locarno Film Festival.