Redmond Bacon - Journey Into Cinema

Day one of the Cottbus Film Festival expertly shows the major fault-lines running through the seams of Eastern European society.

Boris Godunov transports us into a different world, even if Russia itself seems impervious to any kind of meaningful change.

Decision to Leave is now out in cinema: should you make a decision to pay, or a decision to stay away? Find out more on our podcast.

The message is obvious. The style is undeniable. Here is why the way Triangle of Sadness is shot is more important than what it’s about.

The Core’s cast of almost entirely B-actors shows the need for star power when saving the world.

All My Friends Hate Me, funded by the BFI, attempts to get into the horrors of social anxiety. We discuss whether or not it actually works.

A new film charting Italian life in the early 20th Century and the most epic widescreen experience possible round out Antalya 2022.

Two excellent queer-minded societal critiques had me wonder: perhaps the A in LGBTQA stands for Antalya.

While the past is seen as immutable and stuck-in-its-ways, the future is a kaleidoscopic, unknowable thing: live from Antalya Film Festival.

A day filled with Turks and turkeys, day three of the Antalya Film Festival showed three different men navigating strange lands.