This daring portrait of the vaunted modernist artist Munch captures the spirit of the artist well by shaking up biopic formula.
Edvard Munch Everywhere. All At Once

Exploring the Outer Edge of Film
Redmond is the editor-in-chief of Journey Into Cinema.
This daring portrait of the vaunted modernist artist Munch captures the spirit of the artist well by shaking up biopic formula.
Life isn’t a movie. But Tale of Cinema shows us all the wonderful things that can happen when the line between the two is blurred.
France to the west, Russia to the east; Lithuania trying to do its thing in the middle. A survey of two Baltic premieres at the Tallinn Film Festival.
A couple of excellent first features from the Tallinn Film Festival show both physical and mental pain, and the different ways to reconcile the two.
A Polish-heavy second day at Cottbus Film Festival shows off both the accessibility and social relevance of their national cinema.
Day one of the Cottbus Film Festival expertly shows the major fault-lines running through the seams of Eastern European society.
Boris Godunov transports us into a different world, even if Russia itself seems impervious to any kind of meaningful change.
Decision to Leave is now out in cinema: should you make a decision to pay, or a decision to stay away? Find out more on our podcast.
The message is obvious. The style is undeniable. Here is why the way Triangle of Sadness is shot is more important than what it’s about.
The Core’s cast of almost entirely B-actors shows the need for star power when saving the world.