Usually Sundance-hype films are overheated and underwhelming. The sly, smart Past Lives is a brilliant exception to the rule.
Yes, Past Lives Is as Good as They Say
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Exploring the Outer Edge of Film
The mostest film festival in the world. An unconquerable mountain of movies, every February.
Usually Sundance-hype films are overheated and underwhelming. The sly, smart Past Lives is a brilliant exception to the rule.
A family celebration provides the setting for a haunting coming-of-age tale, courtesy of auteur to watch, Lila Avilés. Golden Bear winner?
Through documentary-like framing and a cool distance from his characters, Zonana riffs on military classics to create a brutal yet intellectual critique of military culture.
There’s not much difference between Passages and a sketch show parody of a French art-house film. Let’s see how European Ira Sachs’ latest film truly is.
A handful of forum films, including new works by James Benning and Claire Simon, probe the ways history, ever contested, is inscribed onto the future.
Disco Boy remakes Claire Denis for a self-indulgent, ponderous slog through the Nigerian delta with the completely wrong cast.
Three feminine-focused films — from central Europe to the middle-east — push women to the brink in the Berlinale 2023 panorama section.
The 20 films at the Berlinale Shorts affirm the festival as the most politically and socially conscious of the Big Five. We spotlight some to put on your radar.
Live from the Playce at the Berlinale, we discuss Drifter, Femme, Silver Haze and other fine panorama films to put on your radar.
Move over Joker? There’s a new angry white man in town, courtesy of Jesse Eisenberg in the blistering, problematic, increasingly enjoyable Manodrome.