Move over Joker? There’s a new angry white man in town, courtesy of Jesse Eisenberg in the blistering, problematic, increasingly enjoyable Manodrome.
Accept No Pleasure in the Manodrome

Exploring the Outer Edge of Film
The mostest film festival in the world. An unconquerable mountain of movies, every February.
Move over Joker? There’s a new angry white man in town, courtesy of Jesse Eisenberg in the blistering, problematic, increasingly enjoyable Manodrome.
The horrors of Iranian prison are horrifyingly revisited in this powerful, draining documentary film, asking if cinema has the power to change the state.
Orlando: My Political Biography reframes Virginia Woolf’s seminal 1928 through the modern transgender experience. The result is a compelling act of imagination.
A bleak, arthouse cinema take on the classic Pixar formula, this tale of humanity’s last gasp shows you don’t need hundreds of millions to make a great sci-fi.
BlackBerry takes you back to the halcyon days before the iPhone became the ubiqutious smartphone in this entertaining rise-and-fall tech sotry.
The Berlinale 2023 opens with a trip aboard the tugboat of love. There is no need to get on. Here’s our take on Rebecca Miller’s She Came To Me.
Is Passages a great movie or is it a classic case of Sundance-itis? Ahead of its European premiere at the Berlinale, we look at Ira Sachs’ latest.