Mala Emde shines as a chaotic music promoter who puts on Keith Jarrett’s iconic concert at the Cologne Philarmonic in Ido Fluk’s Köln 75.
Köln 75. Iconic Chaos.
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Exploring the Outer Edge of Film
Mala Emde shines as a chaotic music promoter who puts on Keith Jarrett’s iconic concert at the Cologne Philarmonic in Ido Fluk’s Köln 75.
Bong Joon-Ho’s Mickey 17 is a loud and brash cartoonish science-fiction that has very little to say underneath its deafening bluster.
Hitherto undiscovered depths of cringe are plumped in Tom Tykwer’s misguided and offensive familial drama Das Licht (The Light), opening Berlinale 2025.
From retrospective to classics to special, here are mini-reviews of everything else Journey into Cinema saw at Berlinale 2024.
55 years in the making, Edgar Reitz’ wonderful Subject: Filmmaking is a charming case for obligatory film classes in schools everywhere.
With Infinity Pool Brandon Cronenberg succeeds in turning lust and indulgence into a car crash of increasingly unnatural scenes we cannot look away from.
The Berlinale 2023 opens with a trip aboard the tugboat of love. There is no need to get on. Here’s our take on Rebecca Miller’s She Came To Me.