A group of villagers stage a series of increasingly bizarre protests against the development of a lithium mine in the unengaging Savanna and the Mountain.
The Empty Pageantry of Savanna and the Mountain
Category: Cannes
The biggest film festival in the world, you can’t talk about film without talking about Cannes.
Parsing the Puzzling Persian of Universal Language
Matthew Rankin’s culture-bending comedy fable throws up all kinds of intellectual questions, but rarely engages on a deeper, emotional level.
Megalopolis Invites You To The Future Of Cinema
Francis Ford Coppola’s long-awaited, soon-to-be-endlessly-debated, epic Megalopolis asks you to consider the power of art to change the course of time.
Holy Cow. Curdled Maturity.
Love and cheese freely intermingle in Louise Courvoisier’s diverting yet underwhelming debut Holy Cow, (somehow) playing in Un Certain Regard.
(Don’t) Believe The Hyperboreans
Disturbing and entertaining in equal measure, Cristobal León and Joaquín Cociña’s wildly inventive metafiction The Hyperboreans is a standout work from Cannes.
Capitalism Is a Locust
The twin spectres of China and capitalism haunt every frame of KEFF’s gangland debut Locust, with shades of Edward Yang’s A Brighter Summer Day.
When the Light Breaks Has (Almost) All The Right Takes
When the Light Breaks is Rúnarsson’s return to his earlier, sadder work, but is undone by an unnecessarily sentimental streak. Opens Un Certain Regard.
In Our Day Find Profundity in the Very Smallest of Things
Hong Sangsoo returns with In Our Day, a delightful tale that reminds us that contentment can be found in a drink of soju or a puff on a cigarette.
All To Play For. Not Enough to Stay For.
All To Play asks if love is enough to keep a family together in this safe, carefully modulated social realist French drama starring Virginie Efira.
A Song Sung Blue Is Not The Warmest Colour
A Song Sung Blue has every shade of blue you can hope for. But perhaps gorgeous aesthetics can only get you so far. Playing at Directors’ Fortnight.