Space Dogs directors Elsa Kremser and Levin Peter’s first fully fiction feature is a dark and disturbing love story set in Belarus.
White Snail. Love Covered in Slime.

Exploring the Outer Edge of Film
A fantastic feast of films situated on the banks of the shining Lago Maggiore.
Space Dogs directors Elsa Kremser and Levin Peter’s first fully fiction feature is a dark and disturbing love story set in Belarus.
Miguel Ángel Jiménez’s Piazza Grande film The Birthday Party lets Willem Dafoe chew the scenery, but its not one of his essential performances.
From Radu Jude’s latest essay experiments to Wang Bing’s second Youth film to Hong Sangsoo’s newest metafiction, Locarno 2024 brings the cinematic goods.
A washed-up Austrian MMA fighter finds herself immersed in a strange Jordanian family in Kurdwin Ayub’s Mond, her much-anticipated follow-up to Sonne.
A man’s grief-induced amnesia provides excellent inspiration for a journey through the past in Sara Fgaier’s powerful debut Weightless.
A stoner comedy without the comedy; an arthouse drama without the art; a deep dive into social ills without going too deep; Critical Zone is inessential.
Work and sex inevitably tangle in First Case, a classically French throwback to the golden era of sexy 90s legal thrillers — live from Locarno Film Festival.
Sofia Exarchou, director of Animal, joins Journey Into Cinema to discuss sex, tourism, cheesy music and capitalism — live from Locarno Film Festival.
The spirit of Godard, Greenaway and Gregg Araki combine in this Andulasian road trip filled with spontaneity, creativity and a sense of open discovery.
History, traffic, corporate malfeasance and toxic online culture combine in Radu Jude’s genre-bending new film Do Not Expect Too Much From The End of the World.