Kamal Aljafari’s urgent With Hasan in Gaza might be shot in the autumn of 2001, but its images speak firmly to the present onslaught by the Israeli regime.
With Hasan in Gaza. Palestinian (Non-)Existence
Exploring the Outer Edge of Film
A fantastic feast of films situated on the banks of the shining Lago Maggiore.
Kamal Aljafari’s urgent With Hasan in Gaza might be shot in the autumn of 2001, but its images speak firmly to the present onslaught by the Israeli regime.
Éric K. Boulianne’s debut comedy drama Follies explores the joys — and pitfalls — of opening up a marriage, to often hilarious results.
A fresh restoration of Roberto Rossellini’s hagiography of a centrist Italian prime minister proves an unlikely forebearer for Cristi Puiu’s iconic Malmkrog.
Ben Rivers’ latest feature is a long and meandering slog through the apocalypse that might work in a museum, but is deadening on the big screen.
Space Dogs directors Elsa Kremser and Levin Peter’s first fully fiction feature is a dark and disturbing love story set in Belarus.
Miguel Ángel Jiménez’s Piazza Grande film The Birthday Party lets Willem Dafoe chew the scenery, but its not one of his essential performances.
From Radu Jude’s latest essay experiments to Wang Bing’s second Youth film to Hong Sangsoo’s newest metafiction, Locarno 2024 brings the cinematic goods.
A washed-up Austrian MMA fighter finds herself immersed in a strange Jordanian family in Kurdwin Ayub’s Mond, her much-anticipated follow-up to Sonne.
A man’s grief-induced amnesia provides excellent inspiration for a journey through the past in Sara Fgaier’s powerful debut Weightless.
A stoner comedy without the comedy; an arthouse drama without the art; a deep dive into social ills without going too deep; Critical Zone is inessential.