Sam & Andy Zuchero’s unconventional love story, Love Me, is buoyed by two excellent performances from Kristen Stewart and Steven Yeun.
Love to Love Me Baby
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Exploring the Outer Edge of Film
Reviews and dispatches exploring the best new cinema premiering around the world.
Sam & Andy Zuchero’s unconventional love story, Love Me, is buoyed by two excellent performances from Kristen Stewart and Steven Yeun.
Rose Glass’ sophomore effort, Love Lies Bleeding, is unconcerned with likeability. Here’s why that’s a good thing, live from Sundance.
Editor-turned-director Scott Cummings eschews conventional cutting in his slow, unjudgemental look at the Satanic church in Realm of Satan.
78 Days by Emilija Gašić uses a documentary, found-footage approach to depict the trials of girlhood growing pains in the midst of NATO bombings.
Madelaine Hunt-Ehrlich’s The Ballad of Suzanne Cesaire mounts a corrective to the surrealist’s occluded legacy through a personal essayistic structure.
Alexander Lind’s The Light investigates an incendiary art project that used bunkers as a metaphor for Danish collaboration during the Nazi occupation, live from Rotterdam.
Using an Unreal Game Engine to bold and unsettling effect, Ishan Shukla’s Schirkoa: In Lies We Trust is a truly unique and strange sci-fi vision.
Daniel Hui’s chamber piece makes the most of its limited location to provide fascinating ruminations on the reverberations of Singaporean history.
The concluding chapter of Georg Tiller’s Gotland trilogy, Godsterminal struggles to escape from the legacy of Ingmar Bergman’s seminal works.
Science-fiction romance Eternal is pretty good for the first twenty minutes. Then it repeats the same point over and over again, to diminishing results.