Festivals | Journey Into Cinema | Reviews and Dispatches

Dark horse black comedy What Marielle Knows is the funniest film in the Berlinale Competition so far. A Hollywood remake can’t be far away.

The queer and political Panorama section of the Berlinale is the true meat and bones of the festival — we go deep into its extensive line-up!

Familial bonds between migrant workers are put to the test in Liryc Dela Cruz’ compelling debut Where The Night Stands Still.

Reflection in a Dead Diamond is a loving and deeply satisfying riff on classic spy tropes with a true and abiding love of the genre.

Florian Pochlatko’s How to Be Normal and the Oddness of the Other World is a long and ungainly look at mental illness that never finds a way to work.

Tricia Tuttle’s Perspectives is a shiny new programme dedicated entirely to first feature films. We have the lowdown on whether they’re any good.

Lucile Hadžihalilović’s The Ice Tower is a forbidding and slow riff on Hans Christian Andersen with a movie star performance from Marion Cotillard.

Mala Emde shines as a chaotic music promoter who puts on Keith Jarrett’s iconic concert at the Cologne Philarmonic in Ido Fluk’s Köln 75.

The natural ebbs and flows of a friendship floating apart are captured in deeply realistic realistic fashion in Sophie Somerville’s delightful debut.

By letting trans women speak for themselves, the 1983 classic Dressed In Blue is an essential queer text, playing now in Berlinale Classics.