Ion De Sosa’s dreamy follow-up to horror hit Mamántula is a disappointment, despite all those lovely 16mm images.
Balearic Can’t Find The Beat
Festivals
Reviews and dispatches exploring the best new cinema premiering around the world.
With Hasan in Gaza. Palestinian (Non-)Existence
Kamal Aljafari’s urgent With Hasan in Gaza might be shot in the autumn of 2001, but its images speak firmly to the present onslaught by the Israeli regime.
Join the Follicule!
Éric K. Boulianne’s debut comedy drama Follies explores the joys — and pitfalls — of opening up a marriage, to often hilarious results.
Year One. The OG Malmkrog?
A fresh restoration of Roberto Rossellini’s hagiography of a centrist Italian prime minister proves an unlikely forebearer for Cristi Puiu’s iconic Malmkrog.
Mare’s Nest Belongs in a Museum
Ben Rivers’ latest feature is a long and meandering slog through the apocalypse that might work in a museum, but is deadening on the big screen.
White Snail. Love Covered in Slime.
Space Dogs directors Elsa Kremser and Levin Peter’s first fully fiction feature is a dark and disturbing love story set in Belarus.
In The Birthday Party, The Rich Eat Themselves
Miguel Ángel Jiménez’s Piazza Grande film The Birthday Party lets Willem Dafoe chew the scenery, but its not one of his essential performances.
“Men have a lot to learn from women” — João Rosas on The Luminous Life
The Luminous LIfe director João Rosas discusses using cinema as cartography and charting the life of the same child through different films.
John Garfield: The Father of Method Acting
Films by Gena Rowlands and John Garfield at Karlovy Vary International Film Festival show us the deep emotional power of the method acting approach.
Don’t Call Me Mama’s Scandalous Scandinavians
Don’t Call Me Mama is Scandinavia’s answer to Babygirl that unfortunately gives off a truly icky Blame It On Rio vibe.