78 Days by Emilija Gašić uses a documentary, found-footage approach to depict the trials of girlhood growing pains in the midst of NATO bombings.
Sisterhood Prevails Amongst 78 Days of NATO Bombs
Exploring the Outer Edge of Film
Reviews and dispatches exploring the best new cinema premiering around the world.
78 Days by Emilija Gašić uses a documentary, found-footage approach to depict the trials of girlhood growing pains in the midst of NATO bombings.
Madelaine Hunt-Ehrlich’s The Ballad of Suzanne Césaire mounts a corrective to the surrealist’s occluded legacy through a personal essayistic structure.
Alexander Lind’s The Light investigates an incendiary art project that used bunkers as a metaphor for Danish collaboration during the Nazi occupation, live from Rotterdam.
Using an Unreal Game Engine to bold and unsettling effect, Ishan Shukla’s Schirkoa: In Lies We Trust is a truly unique and strange sci-fi vision.
Daniel Hui’s chamber piece makes the most of its limited location to provide fascinating ruminations on the reverberations of Singaporean history.
The concluding chapter of Georg Tiller’s Gotland trilogy, Godsterminal struggles to escape from the legacy of Ingmar Bergman’s seminal works.
Science-fiction romance Eternal is pretty good for the first twenty minutes. Then it repeats the same point over and over again, to diminishing results.
Academic-turned-filmmaker Jules Rosskam’s Desire Lines is a personal, politically-relevant time-travelling journey through the lives of trans men.
Brazilian documentarian Julia De Simone’s first fiction feature imbues the past with the urgency of the present, breaking free of historical restraints.
Avoiding consensus for our top 2023 picks, Journey Into Cinema focuses on both the best festival films and the finest hidden gems.