With echoes of Wake in Fright and Carrie, Julia Kowalski’s Her Will Be Done is a provocative, satisfying body horror that lingers long in the memory.
Her Will Be Done is Feverish, Ugly and Hard to Shake
Exploring the Outer Edge of Film
Reviews and dispatches exploring the best new cinema premiering around the world.
With echoes of Wake in Fright and Carrie, Julia Kowalski’s Her Will Be Done is a provocative, satisfying body horror that lingers long in the memory.
Multiple layers of ambiguity characterise Louise Hémon’s debut feature, a fascinating turn-of-the-century tale about the snowy road to enlightenment.
French dramedy Drifting Laurent is a slow and seemingly aimless film that provides oodles of charm in its depiction of an mid-season alpine resort.
A fine animation style is wasted by a deadeningly boring script in Félix Dufour-Laperrière’s surrealist eco-thriller Death Does Not Exist.
The very definition of a hangout movie, ACID opener L’Aventura explores the quotidian moments that most contemporary cinema often breezes by.
The final day at Crossing Europe was a story of deep contrasts, including a surprising, yet rather enjoyable epilogue.
Coming-of-age stories set in Cork, Berlin and Tenerife characterise a lively and varied third day at the Crossing Europe Film Festival.
My Boyfriend the Fascist is a fascinating and tender look at how holding honourable beliefs can often lead to manipulation by more nefarious forces.
The 1st May brings a fascinating reflection on the oppression of workers, a student film, and a variety of works from local artists.
A struggling mother and an absent father make for diametrically opposed cinematic visions in a solid first day at Crossing Europe.