From feminine rage to mysterious dancing to intimate animal representation to deconstructing a famous image, DOK Leipzig splits the body apart.
DOK Leipzig Day One: Disembodied Documentaries
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Exploring the Outer Edge of Film
Reviews and dispatches exploring the best new cinema premiering around the world.
From feminine rage to mysterious dancing to intimate animal representation to deconstructing a famous image, DOK Leipzig splits the body apart.
Marie-Magdalena Kochová’s debut feature acutely captures the Glass Children phenomenon: being overshadowed by your sibling with more complex needs.
A slyly inventive reflection of owning the most generic name in the United Kingdom, Being John Smith finds a novel way to tackle the big questions.
A quarter-life crisis meets political critique in Valentina and the MUOSters, depicting the life of one woman living under an American radio base.
Flowers of Ukraine is a touching tribute to individual resistance that acts as a metaphor for an entire country under Russian aggression.
An EU-funded cousin of Megalopolis, The Opera! is a baffling and bad film that astounds with its incredibly basic classical music choices.
Alex Ross Perry and Robert Greene discuss capturing the spirit of the 90s’ most ironic indie band by splicing together musical, biopic and exhibition.
New York Counter Film Festival, created in opposition to NYFF’s Zionist ties, enjoyed its inaguaral, radical edition. We report from the frontline.
The world’s oldest video rental store and a cinema inside a train station lay host to a vibrant four-day festival of silent, horror and pornographic films.
Pavements is a biopic, musical and exhibition, with Alex Ross Perry applying the idiosyncratic spirit of the 90s band to novel forms of cinematic expression.