Architecton has some awe-inspiring visuals, but its let down by its distracting high frame rate and suspect choice of images.
Category: Festivals
Reviews and dispatches exploring the best new cinema premiering around the world.
Sterben Hits the Thin Line with Ease
Funnier than most out-and-out comedies, Sterben captures the messy absurdity of life in all its glory, despite, or perhaps, because of, the sad subject matter.
Talking About Our Generation
Berlinale Generation explores the world from a childlike or teenage perspective. We discovered the stories worth highlighting from this year’s Berlinale.
Two Glasses of Wine and a Packet of Chips
Suspended Time (Olivier Assayas, 2024) is the lockdown comedy that finds little dramatic potential in its set-up, feeling like a 100-minute episode of a sitcom.
Polyphonic Russian Voices, Deftly Intercepted
A rigorous and brutal documentation of Russian brutality in Ukraine, Intercepted’s absences stir the worst recesses of the human imagination.
Another End. We’ve Got Black Mirror at Home.
Piero Messina’s science-fiction Another End fails to inspire interesting questions or interest the viewer visually. It’s a bust, live from Berlin Film Festival.
Young Hearts Run Free. It’s Alright.
Coming-out stories in Generation are a dime-a-dozen. Thankfully Anthony Schattman’s Young Hearts rises above the crop thanks to its authentic performances.
Sleep With Your Eyes Open. Postcards from the Past
Sleep With Your Eyes Open uses an elastic narrative form to paint an ironic portrait of Chinese migrant life in Brazil, to both its benefit and detriment.
Brief History of a Family: Failson v. Social Climber
The problems with China’s one-child policy are laid bare in Jianjie Lin’s effective and creepy debut Brief History of a Family, live from Berlinale Panorama.
There’s Plenty of Fake News at The Editorial Office
Roman Bondarchuk takes us to a pre-invasion Southern Ukraine in his Forum satire The Editorial Office, filled with weighty topics while lacking cinematic bite.