References to Alfred Hitchock and Edward Yang does the paper-thin queer Taiwanese love story Blind Love no favours.
Blind Love. Tunnel Vision.
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Exploring the Outer Edge of Film
Located in the busiest port city in Europe, Rotterdam Film Festival traditionally kicks off the European Film Festival circuit.
References to Alfred Hitchock and Edward Yang does the paper-thin queer Taiwanese love story Blind Love no favours.
Rotterdam Film Festival has more films in its 2025 edition than days in the year. We tried to hold its offerings, like collecting water in a sieve.
While Perla looks and feels extremely well-made, its surfeit of style overwhelms the emotional heart of this communist-era tale. Live from Rotterdam!
The woods straddling Bulgaria and Turkey are imbued with multivalent meanings in Pepe Hristova’s Strandzha, playing in Harbour at IFFR.
The end of identity politics is discussed with nuance and heart in Matthew Lax’s simple yet effective mid-length documentary Gay Men’s Book Club.
78 Days by Emilija Gašić uses a documentary, found-footage approach to depict the trials of girlhood growing pains in the midst of NATO bombings.
Madelaine Hunt-Ehrlich’s The Ballad of Suzanne Cesaire mounts a corrective to the surrealist’s occluded legacy through a personal essayistic structure.
Alexander Lind’s The Light investigates an incendiary art project that used bunkers as a metaphor for Danish collaboration during the Nazi occupation, live from Rotterdam.
Using an Unreal Game Engine to bold and unsettling effect, Ishan Shukla’s Schirkoa: In Lies We Trust is a truly unique and strange sci-fi vision.
Daniel Hui’s chamber piece makes the most of its limited location to provide fascinating ruminations on the reverberations of Singaporean history.