A bleak, arthouse cinema take on the classic Pixar formula, this tale of humanity’s last gasp shows you don’t need hundreds of millions to make a great sci-fi.
Pixar Gets the Hungarian Arthouse Treatment in White Plastic Sky
Exploring the Outer Edge of Film
A bleak, arthouse cinema take on the classic Pixar formula, this tale of humanity’s last gasp shows you don’t need hundreds of millions to make a great sci-fi.
Is Passages a great movie or is it a classic case of Sundance-itis? Ahead of its European premiere at the Berlinale, we look at Ira Sachs’ latest.