The natural ebbs and flows of a friendship floating apart are captured in deeply realistic realistic fashion in Sophie Somerville’s delightful debut.
Real Fwends. How Many of Us?
Tag: Debut
The Good Sister. A Great Movie.
The moral difficulty of realising your loved one might be a monster is explored in great detail in Sara Miro Fischer’s The Good Sister.re
Capitalism Is a Locust
The twin spectres of China and capitalism haunt every frame of KEFF’s gangland debut Locust, with shades of Edward Yang’s A Brighter Summer Day.
Brief History of a Family: Failson v. Social Climber
The problems with China’s one-child policy are laid bare in Jianjie Lin’s effective and creepy debut Brief History of a Family, live from Berlinale Panorama.
Schirkoa: In Lies We Trust Won’t Be a Hit. It’s Too Unique For That.
Using an Unreal Game Engine to bold and unsettling effect, Ishan Shukla’s Schirkoa: In Lies We Trust is a truly unique and strange sci-fi vision.
The Dreamer. Bittersweet Truth Through Sculpture.
Sculpture unlocks the essence of a man in Anaïs Tellenne’s tender, enigmatic debut The Dreamer — live from Venice Film Festival.