From Radu Jude’s take on AI slop to Benning’s pointedly political piece, Currents at NYFF has its experimental finger on today’s disintegrating world.
Current Responses to a Degrading Status Quo
Exploring the Outer Edge of Film
From Radu Jude’s take on AI slop to Benning’s pointedly political piece, Currents at NYFF has its experimental finger on today’s disintegrating world.
Scott Derrickson’s marginally better sequel Black Phone 2, the spirit of Dante’s Inferno is chanelled to frosty — in both senses of the word — results.
Lucía Aleñar Iglesias’ promising debut finds a unique angle on coming-of-age and haunted house tropes — marking her as a director to watch.
Borrowing Reygadas’ DOP, Ana Cristina Barragán’s taboo-breaking film The Ivy doesn’t satisfy, even if it keeps us curious.
Farnoosh Samadi’s blistering thriller Between Dreams and Hope captures the compromises of a young trans man navigating the difficulties of modern-day Iran.
David Pablos’ riveting Mexican film En El Camino, winner of the Queer Lion, presents a fresh take on the queer road trip movie.
Stephan Komanderev uses the coronavirus pandemic to explore the horrors of labour exploitation in one of Europe’s poorest regions.
Evi Kalogiropoulou’s deeply disappointing Gorgonà leans so heavily into fascist aesthetics it starts to resemble the very thing it criticises.
Noomi Rapace is highly forbidding as the Saint of the Peripheries in Mitevska’s Mother Teresa biopic, yet this seven-day narrative ends up disappointing.
A father makes a devastating mistake in Tereza Nvotová’s Otec, bleak and hellish depiction of every parent’s worst nightmare.