A lesbian relationship is put to the ultimate test in Josalynn Smith’s debut feature, the tenderhearted and politically resonant road movie Ride or Die.
Ride or Die. Love, Fight, Cry.

Exploring the Outer Edge of Film
A lesbian relationship is put to the ultimate test in Josalynn Smith’s debut feature, the tenderhearted and politically resonant road movie Ride or Die.
A great canine acting talent is wasted in The Friend, a tale of Naomi Watts adopting a Great Dane that is heavy on the schmaltz, but lacking in punch.
The way institutions discriminate against queer parents is expertly depicted in Love Me Tender, with a standout performance from Vicky Krieps.
Despite the powerful idea at its core, the fundamental premise of Dandelion’s Odyssey makes it extremely hard to identify with its characters.
The Phoenician Scheme is a spy caper that feels like a glorified cameo-fest, and is the first Wes Anderson film that feels completely inessential.
A messy weekend following a life-changing diagnosis characterises Pauline Loquès’ Nino, a touching drama about trying to pull yourself together.
Valery Carnoy’s boxing drama Wild Foxes boasts a standout performance from Samuel Kircher as a teenage boy navigating the mindfields of masculinity.
Un Certain Regard entry Once Upon a Time in Gaza is a topical film, yet unfortunately, it doesn’t feel like its helping anything.
A depressed kennel owner falls in love with a phone technician in Quebecois comedy Peak Everything, the rare fest film with crossover appeal.
I Only Rest in the Storm is an epic exploration of the relationship between Africa and the West that fiendishly complicates stereotypical portrayals.