The 1986 Richard Gere star vehicle No Mercy shows that all a movie needs is a girl and a gun. And lots of fog machines.
No Mercy, or We Need More Fog Machines
Tag: Film
There, There. A Tender Depiction of Care.
With a documentary-like aesthetic and profound use of the mundane, Heather Young’s sophomore film There, There reasserts her singular voice.
The Other One Explores the Glass Children Phenomenon
Marie-Magdalena Kochová’s debut feature acutely captures the Glass Children phenomenon: being overshadowed by your sibling with more complex needs.
Losing It at The Opera!
An EU-funded cousin of Megalopolis, The Opera! is a baffling and bad film that astounds with its incredibly basic classical music choices.
Radical Images: The New York Counter Film Festival
New York Counter Film Festival, created in opposition to NYFF’s Zionist ties, enjoyed its inaguaral, radical edition. We report from the frontline.
Chasing Pavements
Pavements is a biopic, musical and exhibition, with Alex Ross Perry applying the idiosyncratic spirit of the 90s band to novel forms of cinematic expression.
Aye, There’s The Cherub
A fat straight man finds a new lease of life when he sends his self-portrait into a gay magazine in Devin Shears’ touching debut Cherub.
Familiar Touch Depicts Dementia with Disarming Discernment
Sarah Friedland’s potent debut takes time and care to depict the ins and outs of living with dementia, to powerful results. Live from Venice Film Festival.
Cloud Finds the Apocalypse in E-Commerce
Cloud, the latest from Kiyoshi Kurosawa, shows how fears about the internet have drastically evolved since Pulse (2001). Live from Venice.
Maldoror Brings Fincher Energy to a Horrific Moment in Belgian History
With hints of Zodiac and Seven, Fabrice du Welz’s new thriller Maldoror — charting the real-life murders of Belgian serial killer Marc Dutroux — aims for that nasty, slow burn.