A loose adaptation of a live performance about a failed film, Zia Anger’s docufiction My First Film both deconstructs and reinvents the filmmaking process.
My First Film Testifies to the Collective Energy Necessary for All Creation

Exploring the Outer Edge of Film
A loose adaptation of a live performance about a failed film, Zia Anger’s docufiction My First Film both deconstructs and reinvents the filmmaking process.
Rose Glass’ sophomore effort, Love Lies Bleeding, is unconcerned with likeability. Here’s why that’s a good thing, live from Sundance.
Cristi Puiu’s MMXX revisits the year he whipped up a bunch of coronavirus controversy with a typically austere anthology that lacks the smarts of his best work.
One man’s quixotic dream to host a Pink Floyd concert in the Amazon rainforest is frustratingly explored in The Outpost — live from Venice Film Festival.
A film goes into pre-production in Beirut the day after the infamous 2020 port explosion in Cyril Aris’ gripping doc Dancing on the Edge of a Volcano.
Found-footage documentary Manifesto is both a startling, necessary film but also a disturbing one, calling into question filmmaking ethics in a fascist state.
An Armenian animated documentary and a shape-shifting Ukrainian 90s-set film noir characterise a strong start to goEast Film Festival.
Three Nordic features at CPH:DOX 2023 critique our impact on the environment, pointing to future ways of keeping harmony between the environment and man.
A couple of excellent first features from the Tallinn Film Festival show both physical and mental pain, and the different ways to reconcile the two.
Day one of the Cottbus Film Festival expertly shows the major fault-lines running through the seams of Eastern European society.