A bleak, arthouse cinema take on the classic Pixar formula, this tale of humanity’s last gasp shows you don’t need hundreds of millions to make a great sci-fi.
Pixar Gets the Hungarian Arthouse Treatment in White Plastic Sky
Exploring the Outer Edge of Film
A bleak, arthouse cinema take on the classic Pixar formula, this tale of humanity’s last gasp shows you don’t need hundreds of millions to make a great sci-fi.
BlackBerry takes you back to the halcyon days before the iPhone became the ubiqutious smartphone in this entertaining rise-and-fall tech sotry.
The Berlinale 2023 opens with a trip aboard the tugboat of love. There is no need to get on. Here’s our take on Rebecca Miller’s She Came To Me.
Life isn’t a movie. But Tale of Cinema shows us all the wonderful things that can happen when the line between the two is blurred.
Decision to Leave is now out in cinema: should you make a decision to pay, or a decision to stay away? Find out more on our podcast.
The message is obvious. The style is undeniable. Here is why the way Triangle of Sadness is shot is more important than what it’s about.
The Core’s cast of almost entirely B-actors shows the need for star power when saving the world.
All My Friends Hate Me, funded by the BFI, attempts to get into the horrors of social anxiety. We discuss whether or not it actually works.
The Turkish National short programme was the perfect sample menu to kick off the Antalya Film Festival.
Classical camerawork subtly tells us who’s really in charge in Rod Lurie’s compelling yet underfortified military-prison drama.