Nicolás Pereda’s minimalist chamberpiece Everything Else is Noise is at once a slyly pleasurable arthouse experience and a finely-attuned family comedy-drama.
The Wry Pleasures of Everything Else Is Noise
Exploring the Outer Edge of Film
Nicolás Pereda’s minimalist chamberpiece Everything Else is Noise is at once a slyly pleasurable arthouse experience and a finely-attuned family comedy-drama.
Naval-gazing documentary Two Mountains Weighing Down My Chest is a funny, lacerating look at being caught between two very different cultures.
Set in Almería, Panorama entry Iván & Hadoum shows the difficulties of love blooming in the hard ground of labour exploitation.
The well-meaning Yugo-Danish drama Home offers a nuanced portrait of migration and integration, but never really takes off dramatically.
A broken fridge-freezer becomes a metaphor for the breakdown of a family — and perhaps society itself — in uneven comedy Complaint No. 713317.
Conrad & Crab – Idiotic Gems by Claude Schmitz is a cosy French mystery movie that scratched an itch I didn’t even know I had. Sequels please!
The absurdities of the privileged in the face of incoming disaster is smartly dissected in João Nuno Pinto’s Tallinn entry 18 Holes to Paradise.
Craig Brewer’s Song Song Blue is a surprisingly powerful musical biopic that rests upon the remarkable easygoing charm of Kate Hudson.
At a time when “groomer” is used as a political smear, The Pupil shows us the truly sickening impact the reality can have on young boys and girls.
Made during Spain’s transition to democracy, La criatura is a fascinating time capsule that uses bestiality to represent the possibility of change.