Indian movie Stolen levels up scene after scene, moving from a tense, whodunnit to a full-blown, white-knuckle thriller — live from Venice Film Festival.
Stolen Just Keeps Getting Better

Exploring the Outer Edge of Film
Indian movie Stolen levels up scene after scene, moving from a tense, whodunnit to a full-blown, white-knuckle thriller — live from Venice Film Festival.
A not-quite musical filled with loveliness and laughs, Chuck Chuck Baby is the operatic soap opera I never knew I needed — live from Edinburgh Film Festival.
Dull visuals and an unengaging plot make Ukrainian village tale Stepne, playing in competition, an enervating watch — live from Locarno Film Festival.
The Vanishing Soldier uses its picarasque, free-wheeling form to investigate the complexities and paradoxes of modern Isreal — to mixed results.
The pitfalls of always providing entertainment are perfectly probed in Animal, Sofia Exarchou’s excellent sophomore film.
A Song Sung Blue has every shade of blue you can hope for. But perhaps gorgeous aesthetics can only get you so far. Playing at Directors’ Fortnight.
Marguerite’s Theorem is proof that making movies about maths only works when you’re willing to forego generic filmmaking formulas.
The Cannes ACID section focusses on normal lives in independent films, celebrating perspectives often overlooked in bigger programmes.
Paul Schrader finds a more tender angle on his tried-and-tested formula in the touching Master Gardener, completing his most recent trilogy.
History, nostalgia and shame collide in three documentaries exploring contrasting cinematic memories in this year’s Visions du Réel Burning lights Competition.