Despite, or perhaps because of, its cringe characters, Tell Me What You Feel is a heartfelt exploration of whether art and love can really understand trauma.
Love is Art in Tell Me What You Feel
Exploring the Outer Edge of Film
Despite, or perhaps because of, its cringe characters, Tell Me What You Feel is a heartfelt exploration of whether art and love can really understand trauma.
Kelly Hughes’ long-unavailable and unique queer outsider artwork Twin Cheeks: Who Killed the Homecoming King? finally makes its way back into the public eye.
The absurdities of the privileged in the face of incoming disaster is smartly dissected in João Nuno Pinto’s Tallinn entry 18 Holes to Paradise.
Craig Brewer’s Song Song Blue is a surprisingly powerful musical biopic that rests upon the remarkable easygoing charm of Kate Hudson.
A sleek German answer to Philip Noyce’s Sliver, Interior uses a sexual taboo to interrogate a world where all we do is watch — and rarely intervene.
Lucía Aleñar Iglesias’ promising debut finds a unique angle on coming-of-age and haunted house tropes — marking her as a director to watch.
Farnoosh Samadi’s blistering thriller Between Dreams and Hope captures the compromises of a young trans man navigating the difficulties of modern-day Iran.
A transgender Macedonian woman radically transforms the lives of a group of tomboys in Kukla’s assured and heartfelt Fantasy — live from Locarno!
Not everything in Mosquitoes lands, but its big, and bold swings show off the ambition of Nicole and Valentina Bertani’s off-kilter coming-of-age vision.
Two distinct, writerly stories emerge from Sho Miyake’s pen in his wistful adaptation of Yoshiharu Tsuge’s manga Mr. Ben and His Igloo, A View of the Seaside.