The sequel to surprise hit M3GAN, M3GAN 2.0 dives headfirst into deranged action-comedy mayhem — and is a wildly enjoyable, if uneven ride.
M3gan 2.0 Is Everything You Want — And More

Exploring the Outer Edge of Film
The sequel to surprise hit M3GAN, M3GAN 2.0 dives headfirst into deranged action-comedy mayhem — and is a wildly enjoyable, if uneven ride.
Once seen as a grotesque satire of greed and masculine performance, American Psycho now reveals how easily critique can slip into aspiration.
A lesbian relationship is put to the ultimate test in Josalynn Smith’s debut feature, the tenderhearted and politically resonant road movie Ride or Die.
BDSM and domination is used as a metaphor for the human condition in Alexe Poukine’s Kika, a deeply heartfelt tale about overcoming grief.
Multiple layers of ambiguity characterise Louise Hémon’s debut feature, a fascinating turn-of-the-century tale about the snowy road to enlightenment.
The very definition of a hangout movie, ACID opener L’Aventura explores the quotidian moments that most contemporary cinema often breezes by.
The Wedding Banquet is a broad remake of Ang Lee’s 1993 work that drains the rich cultural specificity of the subject matter into boring slop.
The A24 formula works to fine effect in Mary Bronstein’s If I Had Legs I’d Kick You, starring the excellent Rose Byrne.
Sirens Call, Miri Ian Gossing and Lina Sieckmann’s impassioned look at modern-day merfolk, reinvents ancient myths for an increasinly fascist age.
The Emilia Pérez controversy is the latest example of how fan armies drive the discourse during awards season, reshaping the film world in the process.