Miguel Ángel Jiménez’s Piazza Grande film The Birthday Party lets Willem Dafoe chew the scenery, but its not one of his essential performances.
In The Birthday Party, The Rich Eat Themselves
Tag: Movie
Trains, Closely Observed
With no voiceover used, Maciej J. Drygas relies entirely on montage, music and sound design to use trains to tell the story of the twentieth century.
Jurassic World Rebirth Puts the Awe Back in Dinosaur
Jurassic World Rebirth is a welcome return to form for a franchise that had severely lost its way, even if the final screenplay is somewhat wanting.
M3gan 2.0 Is Everything You Want — And More
The sequel to surprise hit M3GAN, M3GAN 2.0 dives headfirst into deranged action-comedy mayhem — and is a wildly enjoyable, if uneven ride.
American Psycho’s Prophetic Vision of Masculinity and Meme Culture
Once seen as a grotesque satire of greed and masculine performance, American Psycho now reveals how easily critique can slip into aspiration.
Ride or Die. Love, Fight, Cry.
A lesbian relationship is put to the ultimate test in Josalynn Smith’s debut feature, the tenderhearted and politically resonant road movie Ride or Die.
Kika’s Dominatrix Service
BDSM and domination is used as a metaphor for the human condition in Alexe Poukine’s Kika, a deeply heartfelt tale about overcoming grief.
The Girl in The Snow Cleverly Belies Its Classical Aesthetic
Multiple layers of ambiguity characterise Louise Hémon’s debut feature, a fascinating turn-of-the-century tale about the snowy road to enlightenment.
L’Aventura Travels Free from the Anxiety of Influence
The very definition of a hangout movie, ACID opener L’Aventura explores the quotidian moments that most contemporary cinema often breezes by.
The Wedding Banquet. Boring Gay Asians.
The Wedding Banquet is a broad remake of Ang Lee’s 1993 work that drains the rich cultural specificity of the subject matter into boring slop.