With films about dogs easy to love — because after all, who doesn’t love dogs — it takes a special talent to make something as cynical and ugly as La Perra.
La Perra Woofs the Landing
Exploring the Outer Edge of Film
With films about dogs easy to love — because after all, who doesn’t love dogs — it takes a special talent to make something as cynical and ugly as La Perra.
Flesh and Fuel rises above its euro-drama trappings by capturing a great sense of sweetness and vulnerability among the continent’s gay trucking community.
Anchored by an excellent performance by Eva Huault, Shana is a deeply entertaining Parisian-set tale of Jewish identity and feminine chaos.
Christian Petzold sits down with Journey Into Cinema to discuss Miroirs No.3, arguing with his family, and why repairing things is the opposite of capitalism.
In We Have to Survive, Tales from Greenland, Australia, North Carolina and Mongolia show how the world is united in one thing: the threat of climate change.
Filmed over the course of ten years, Pieter-Jan De Pue’s documentary Mariinka is one of the best films made about the Russian invasion of Ukraine.
Fernanda Tovar’s Sad Girlz is a touching tale of female friendship under the shadow of sexual violence — the winner of Berlinale Generation 14Plus.
Hong Sangsoo’s latest film, The Day She Returns, is even more minimalist than usual, using just a handful of scenes to create a spare poem of differences.
Patric Chiha’s A Russian Winter is a minor work, but a nonetheless rewarding one: capturing exiled Russian youth in a tragic holding pattern.
Muriel d’Ansembourg’s taboo-breaking drama explores the way pornography can change who we are, in often finger-wagging ways.