Steven Spielberg’s latest original science-fiction is a return to familiar territory, yet it pales in comparison to the famed directors’ greatest works.
In Disclosure Day, Spielberg Goes Astray
Tag: Movie
The Kieślowski Universe
Asghar Farhadi’s Parallel Tales has been critically panned, but our reviewer found its tribute to the work of Kieślowski remarkably touching.
Titanic Ocean Is No Ordinary Film
With an impossibly beautiful aesthetic, Konstantina Kotzamani’s Titanic Ocean is a unique mermaid movie that transports you to another world.
Her Private Hell? Absent Parents.
Told with his usual neon-heavy aesthetic, Nicolas Winding Refn’s Her Private Hell is a beguiling tale of absent parenthood, playing Out of Competition.
Simple Plans Are Never Simple
A simple plan goes fiendishly out of hand in Dying Twice, Living Thrice, Karim Lakzadeh’s existential critique of modern day Iran.
La Perra Woofs the Landing
With films about dogs easy to love — because after all, who doesn’t love dogs — it takes a special talent to make something as cynical and ugly as La Perra.
Big Rigs. Even Bigger Feelings.
Flesh and Fuel rises above its euro-drama trappings by capturing a great sense of sweetness and vulnerability among the continent’s gay trucking community.
Shana. Chaos Under Pressure.
Anchored by an excellent performance by Eva Huault, Shana is a deeply entertaining Parisian-set tale of Jewish identity and feminine chaos.
“You never see factories in cinema” — Christian Petzold on Miroirs No. 3
Christian Petzold sits down with Journey Into Cinema to discuss Miroirs No.3, arguing with his family, and why repairing things is the opposite of capitalism.
We Have To Survive Contemplates a World in Crisis
In We Have to Survive, Tales from Greenland, Australia, North Carolina and Mongolia show how the world is united in one thing: the threat of climate change.