Bringing together footage from 40 different people, Super Nature is a testament to the magic of Super 8 to capture the wonder and ephemerality of nature.
“Super 8 feels like you’re holding onto a memory or a dream” — Ed Sayers on Super Nature
Exploring the Outer Edge of Film
Bringing together footage from 40 different people, Super Nature is a testament to the magic of Super 8 to capture the wonder and ephemerality of nature.
Sabu’s Arrested Memory is a weird blend of crime comedy, emotional journey and martial arts movie. None of it really coheres.
Un détour par Diane by Ann Sirot and Raphaël Balboni expertly blurs the boundaries between one woman’s lived experience and another’s emotional life.
Controversial at Cannes, the Karlovy Premiere of The Unknown (L’Inconnue) reveals a mysterious and beguiling experience, starring Léa Seydoux.
Returning to the big screen 72 years after its Karlovy Vary premiere, Cecil Holmes western Captain Thunderbolt is an unsung gem of early Australian cinema.
Steven Spielberg’s latest original science-fiction is a return to familiar territory, yet it pales in comparison to the famed directors’ greatest works.
Asghar Farhadi’s Parallel Tales has been critically panned, but our reviewer found its tribute to the work of Kieślowski remarkably touching.
With an impossibly beautiful aesthetic, Konstantina Kotzamani’s Titanic Ocean is a unique mermaid movie that transports you to another world.
Told with his usual neon-heavy aesthetic, Nicolas Winding Refn’s Her Private Hell is a beguiling tale of absent parenthood, playing Out of Competition.
A simple plan goes fiendishly out of hand in Dying Twice, Living Thrice, Karim Lakzadeh’s existential critique of modern day Iran.