Nicolás Pereda’s minimalist chamberpiece Everything Else is Noise is at once a slyly pleasurable arthouse experience and a finely-attuned family comedy-drama.
The Wry Pleasures of Everything Else Is Noise
Exploring the Outer Edge of Film
Nicolás Pereda’s minimalist chamberpiece Everything Else is Noise is at once a slyly pleasurable arthouse experience and a finely-attuned family comedy-drama.
Set in Almería, Panorama entry Iván & Hadoum shows the difficulties of love blooming in the hard ground of labour exploitation.
Despite, or perhaps because of, its cringe characters, Tell Me What You Feel is a heartfelt exploration of whether art and love can really understand trauma.
Kelly Hughes’ long-unavailable and unique queer outsider artwork Twin Cheeks: Who Killed the Homecoming King? finally makes its way back into the public eye.
The absurdities of the privileged in the face of incoming disaster is smartly dissected in João Nuno Pinto’s Tallinn entry 18 Holes to Paradise.
Craig Brewer’s Song Song Blue is a surprisingly powerful musical biopic that rests upon the remarkable easygoing charm of Kate Hudson.
A sleek German answer to Philip Noyce’s Sliver, Interior uses a sexual taboo to interrogate a world where all we do is watch — and rarely intervene.
Lucía Aleñar Iglesias’ promising debut finds a unique angle on coming-of-age and haunted house tropes — marking her as a director to watch.
Farnoosh Samadi’s blistering thriller Between Dreams and Hope captures the compromises of a young trans man navigating the difficulties of modern-day Iran.
A transgender Macedonian woman radically transforms the lives of a group of tomboys in Kukla’s assured and heartfelt Fantasy — live from Locarno!