Evi Kalogiropoulou’s deeply disappointing Gorgonà leans so heavily into fascist aesthetics it starts to resemble the very thing it criticises.
Empty Incel Nonsense

Exploring the Outer Edge of Film
Evi Kalogiropoulou’s deeply disappointing Gorgonà leans so heavily into fascist aesthetics it starts to resemble the very thing it criticises.
Ion De Sosa’s dreamy follow-up to horror hit Mamántula is a disappointment, despite all those lovely 16mm images.
Over the course of three hours, Alex Ross Perry knowingly charts the rise and fall of the video store, from cultural icon to modern irrelevance.
Tim Key provides a masterclass of tragicomic acting in the subtle yet often hilarious The Ballad of Wallis Island, replete with brilliant folk songs.
Despite its technical accomplishments, Steve Bache’s No Dogs Allowed unfortunately replicates many of the same things it seeks to criticise.