Tales of trauma, pain, memory and vanishing animate an instructive and illuminating Tallinn Black Nights, a ray of light amid bleak November.
Bruising and Vanishing
Exploring the Outer Edge of Film
Tales of trauma, pain, memory and vanishing animate an instructive and illuminating Tallinn Black Nights, a ray of light amid bleak November.
At a time when “groomer” is used as a political smear, The Pupil shows us the truly sickening impact the reality can have on young boys and girls.
Evi Kalogiropoulou’s deeply disappointing Gorgonà leans so heavily into fascist aesthetics it starts to resemble the very thing it criticises.
Ion De Sosa’s dreamy follow-up to horror hit Mamántula is a disappointment, despite all those lovely 16mm images.
Over the course of three hours, Alex Ross Perry knowingly charts the rise and fall of the video store, from cultural icon to modern irrelevance.
Tim Key provides a masterclass of tragicomic acting in the subtle yet often hilarious The Ballad of Wallis Island, replete with brilliant folk songs.
Despite its technical accomplishments, Steve Bache’s No Dogs Allowed unfortunately replicates many of the same things it seeks to criticise.