A film that uses every scene to tell a story and a film that uses every scene to bore the viewer to tears. A tale of contrasts, live from TIFF!
Transylvania International Film Festival Day Four: No Bad Scenes, No Good Scenes
Redmond Bacon
Redmond is the editor-in-chief of Journey Into Cinema.
Transylvania International Film Festival Day Three: Slănină and Sinking Time
Both tasty cured pork fat, generous, curious documentaries and a moment of pure cinema magic, made for a good day at Translyvania International Film Festival.
Transylvania International Film Festival Day Two: Lángos, Loneliness, Landfills
The food in Translyvania has been uniformly excellent. The films at TIFF, spanning Austria, Greece and Nicaragua, have yet to match its quality.
Transylvania International Film Festival Day One: Nord-Rhein-Transylvania
I spent all day travelling to Romania — but somehow my first day at Transylvania International Film Festival turned out to be all about Nord-Rhein-Westphalia.
In Our Day Find Profundity in the Very Smallest of Things
Hong Sangsoo returns with In Our Day, a delightful tale that reminds us that contentment can be found in a drink of soju or a puff on a cigarette.
All To Play For. Not Enough to Stay For.
All To Play asks if love is enough to keep a family together in this safe, carefully modulated social realist French drama starring Virginie Efira.
A Song Sung Blue Is Not The Warmest Colour
A Song Sung Blue has every shade of blue you can hope for. But perhaps gorgeous aesthetics can only get you so far. Playing at Directors’ Fortnight.
Marguerite’s Theorem Cracks Under Its Own Formula
Marguerite’s Theorem is proof that making movies about maths only works when you’re willing to forego generic filmmaking formulas.
Omen Can Create But it Cannot Destroy
Omen is a visually inventive, often fascinating exploration of Congelese mores, but lacks incisiveness. Now playing in Un Certain Regard at Cannes 2023.
Blackbird Blackbird Blackberry. Pure Cinema Poetry.
With their third film, Blackbird Blackbird Blackberry, Georgian director Elene Naveriani re-asserts themselves as a major voice in world cinema.