Bright Future entry White Lies is a remarkable non-fiction debut about the lingering effects of living in a cult upon an ordinary Italian family.
White Lies. Painful Truths.
Exploring the Outer Edge of Film
Redmond is the editor-in-chief of Journey Into Cinema.
Bright Future entry White Lies is a remarkable non-fiction debut about the lingering effects of living in a cult upon an ordinary Italian family.
Conrad & Crab – Idiotic Gems by Claude Schmitz is a cosy French mystery movie that scratched an itch I didn’t even know I had. Sequels please!
Despite, or perhaps because of, its cringe characters, Tell Me What You Feel is a heartfelt exploration of whether art and love can really understand trauma.
Sentimental Value star Renate Reinsve returns in a much more forgettable drama: the absolutely dire Gran Canaria set comedy-drama Butterfly.
Barbara Forever is a loving tribute to the life and work of Barbara Hammer that excellently shows how she paved the way for many queer filmmakers to come.
From Tallinn to Austria to London, here are our picks for our favourite film festivals in 2025, celebrating the places that make cinema so special.
From One Battle After Another to Den of Thieves 2: Pantera, Sirāt to Pillion, here’s Redmond Bacon and Jared Abbott’s picks for the best films of the year.
Craig Brewer’s Song Song Blue is a surprisingly powerful musical biopic that rests upon the remarkable easygoing charm of Kate Hudson.
Osgood Perkins’ lazy “cabin in the woods” horror Keeper is a tale about almost nothing at all, with almost nothing to enjoy.
Joan Chen’s May-December romance Autumn in New York may look pretty, but make no mistake: this movie is godawful.