The horrors of Iranian prison are horrifyingly revisited in this powerful, draining documentary film, asking if cinema has the power to change the state.
Mehran Tamadon Skillfully Recreates Iranian Prison in Where God is Not

Exploring the Outer Edge of Film
Redmond is the editor-in-chief of Journey Into Cinema.
The horrors of Iranian prison are horrifyingly revisited in this powerful, draining documentary film, asking if cinema has the power to change the state.
Orlando: My Political Biography reframes Virginia Woolf’s seminal 1928 through the modern transgender experience. The result is a compelling act of imagination.
A bleak, arthouse cinema take on the classic Pixar formula, this tale of humanity’s last gasp shows you don’t need hundreds of millions to make a great sci-fi.
BlackBerry takes you back to the halcyon days before the iPhone became the ubiqutious smartphone in this entertaining rise-and-fall tech sotry.
The Berlinale 2023 opens with a trip aboard the tugboat of love. There is no need to get on. Here’s our take on Rebecca Miller’s She Came To Me.
Is Passages a great movie or is it a classic case of Sundance-itis? Ahead of its European premiere at the Berlinale, we look at Ira Sachs’ latest.
Hybrid docu-fiction, serious European relationship dramas, and a big cross-border social issue drama, characterise a classic Rotterdam 2023 line up.
This daring portrait of the vaunted modernist artist Munch captures the spirit of the artist well by shaking up biopic formula.
Life isn’t a movie. But Tale of Cinema shows us all the wonderful things that can happen when the line between the two is blurred.
France to the west, Russia to the east; Lithuania trying to do its thing in the middle. A survey of two Baltic premieres at the Tallinn Film Festival.