La Cocina uses its kitchen-setting as a springboard for a grand Statement on America. But it ruins the main dish by adding too many flavours.
Too Many Cooks Spoil La Cocina

Exploring the Outer Edge of Film
La Cocina uses its kitchen-setting as a springboard for a grand Statement on America. But it ruins the main dish by adding too many flavours.
A Different Man has all the snarky hallmarks of another A24 provocation, but it’s saved by a screenplay that somehow evokes the best of Woody Allen.
Small Things Like These may highlight a vital decades-long human rights abuse but is sadly let down by its derivative imitation of Terence Davies’ best work.
A perfect cast and a breezy tone, intermingling with moments of horror and danger, characterise Afire, a more low-key effort from Christian Petzold.
This Australian desert noir is more interesting than its title, but would’ve worked a whole lot better as a TV series.
Haughty mothers haunt a draughty hotel in João Canijo’s Bad Living and Living Bad, playing in both Competition and Encounters at the Berlinale 2023.
Despite a fine flair for creating aesthetically pleasing images, Music is a thoroughly singular filmmaking experience hard to genuinely love.
Usually Sundance-hype films are overheated and underwhelming. The sly, smart Past Lives is a brilliant exception to the rule.
A family celebration provides the setting for a haunting coming-of-age tale, courtesy of auteur to watch, Lila Avilés. Golden Bear winner?
Disco Boy remakes Claire Denis for a self-indulgent, ponderous slog through the Nigerian delta with the completely wrong cast.