The Party’s Over casts prejudice as farce in this sharply-written tale of a wealthy Spanish lady reacting to a Senegalese immigrant in her midst. From TIFF.
The Party’s Over. But Prejudice Never Ends.
Exploring the Outer Edge of Film
Reviews and dispatches exploring the best new cinema premiering around the world.
The Party’s Over casts prejudice as farce in this sharply-written tale of a wealthy Spanish lady reacting to a Senegalese immigrant in her midst. From TIFF.
With hints of Zodiac and Seven, Fabrice du Welz’s new thriller Maldoror — charting the real-life murders of Belgian serial killer Marc Dutroux — aims for that nasty, slow burn.
Fascist bonehead study Familia refreshingly avoids clichéd redemption arcs in favour of a more nuanced take on the cyclical nature of toxic masculinity.
The dehumanisation of seeking asylum is piercingly explored in Alexandros Avranas’ horror-but-not-horror Quiet Life. Live from Venice Film Festival!
From Radu Jude’s latest essay experiments to Wang Bing’s second Youth film to Hong Sangsoo’s newest metafiction, Locarno 2024 brings the cinematic goods.
A washed-up Austrian MMA fighter finds herself immersed in a strange Jordanian family in Kurdwin Ayub’s Mond, her much-anticipated follow-up to Sonne.
A man’s grief-induced amnesia provides excellent inspiration for a journey through the past in Sara Fgaier’s powerful debut Weightless.
In a cinema culture dominated by Hollywood, Festival de Vitória, now in its 31st year, puts a necessary spotlight on homegrown Brazilian film.
The ten-years-in-the-making Tezeta is a lively and fascinating portrait of Armenia’s contribution to Ethiopian musical history.
Puncturing through the noise of endless movies playing throughout the world with our selection of underseen 2024 festival favourites worth checking out.