One man’s quixotic dream to host a Pink Floyd concert in the Amazon rainforest is frustratingly explored in The Outpost — live from Venice Film Festival.
The Outpost. A Frustrating Study in Folly.

Exploring the Outer Edge of Film
Reviews and dispatches exploring the best new cinema premiering around the world.
One man’s quixotic dream to host a Pink Floyd concert in the Amazon rainforest is frustratingly explored in The Outpost — live from Venice Film Festival.
The practicalities and pitfalls of vampire life are warmly investigated in the mostly enjoyable Humanist Vampire Seeking Consenting Suicidal Person.
A free-wheeling, three-part riot of formal invention, Víctor Iriarte’s excellent debut is at once aesthetically rigorous and politically pointed.
Sidonie In Japan is a classic example of a fine actress phoning it in, wasting Huppert’s talents in a generic, unconvincing cross-cultural examination of grief.
Life Is Not a Competition, But I’m Winning imagines the future of queer and intersex people in sport in a variety of spirited and thoughtful means.
Indian movie Stolen levels up scene after scene, moving from a tense, whodunnit to a full-blown, white-knuckle thriller — live from Venice Film Festival.
A not-quite musical filled with loveliness and laughs, Chuck Chuck Baby is the operatic soap opera I never knew I needed — live from Edinburgh Film Festival.
A stoner comedy without the comedy; an arthouse drama without the art; a deep dive into social ills without going too deep; Critical Zone is inessential.
Work and sex inevitably tangle in First Case, a classically French throwback to the golden era of sexy 90s legal thrillers — live from Locarno Film Festival.
Sofia Exarchou, director of Animal, joins Journey Into Cinema to discuss sex, tourism, cheesy music and capitalism — live from Locarno Film Festival.