The perils of burgeoning female sexuality are excellently turned inside-out in Elena Martín’s impressive second film, playing in Directors’ Fornight.
Uncomfortable. Upsetting. Brilliant. Creatura.

Exploring the Outer Edge of Film
Reviews and dispatches exploring the best new cinema premiering around the world.
The perils of burgeoning female sexuality are excellently turned inside-out in Elena Martín’s impressive second film, playing in Directors’ Fornight.
The Cannes ACID section focusses on normal lives in independent films, celebrating perspectives often overlooked in bigger programmes.
The coming-of-age genre, told over a scorching summer, is imbued with cinematic flair in Paloma Sermon-Daï’s fiction debut.
A social drama with smart dramaturgy and effective mise-en-scène, Inshallah A Boy piercingly critiques Jordan’s male-first inheritance culture.
History, nostalgia and shame collide in three documentaries exploring contrasting cinematic memories in this year’s Visions du Réel Burning lights Competition.
Found-footage documentary Manifesto is both a startling, necessary film but also a disturbing one, calling into question filmmaking ethics in a fascist state.
A Kazakh Western, a Serbian mining town and a Russian village on the edge of war teach us about the importance of resilience on day three of goEast.
A quick jaunt to Mainz starts a day filled with characters crossing borders, looking for common threads that unite humanity.
An Armenian animated documentary and a shape-shifting Ukrainian 90s-set film noir characterise a strong start to goEast Film Festival.
Three Nordic features at CPH:DOX 2023 critique our impact on the environment, pointing to future ways of keeping harmony between the environment and man.