The dreamlike Eel is a promising debut from Taiwanese director Chu Chun-Teng that thrives within liminal spaces ā live from Perspectives.
Eel Lives Between Dreams and Shadows
Exploring the Outer Edge of Film
The dreamlike Eel is a promising debut from Taiwanese director Chu Chun-Teng that thrives within liminal spaces ā live from Perspectives.
Set entirely on the opening night of Oklahoma!, Richard Linklater’s talky film Blue Moon reunites him with Before trilogy star Ethan Hawke.
A trip to a trauma retreat turns increasingly nightmarish in Madeleine Sims-Fewer and Dusty Mancinelli’s Honey Bunch, playing in Berlinale Special.
The Generation section of Berlinale is one of the less interesting programmes at the esteemed film festival. Still, we look at its offerings anyway.
The A24 formula works to fine effect in Mary Bronstein’s If I Had Legs Iād Kick You, starring the excellent Rose Byrne.
Dark horse black comedy What Marielle Knows is the funniest film in the Berlinale Competition so far. A Hollywood remake can’t be far away.
The queer and political Panorama section of the Berlinale is the true meat and bones of the festival ā we go deep into its extensive line-up!
Familial bonds between migrant workers are put to the test in Liryc Dela Cruz’ compelling debut Where The Night Stands Still.
Reflection in a Dead Diamond is a loving and deeply satisfying riff on classic spy tropes with a true and abiding love of the genre.
Tricia Tuttle’s Perspectives is a shiny new programme dedicated entirely to first feature films. We have the lowdown on whether they’re any good.